Showing posts with label Blacks in Fashion. Show all posts
Showing posts with label Blacks in Fashion. Show all posts

Sunday, February 19, 2012

introducing OMARI GORDON



i have been very busy working on a special project that will debut in early March. I have manage to squeeze in a slew of new faces into my tight schedule. today i've decide to introduce 16 year old Omari Gordon from Glendale, Arizona. I set up the session true photographer and magazine editor Jerris Madison and his mom, Jeanelle Lanham.


Usually I don't work with a lot of minors, but I was really inspired by his look. With the images, I kept in mind his age and made sure  the  finish work was polished and edgy but age-appropriate. Omari has a great look, wonderful attitude, and exhibited professionalism beyond his years. I wish more models where like him. The best part was that his mom wasn't a stage mom-type. She was as cool as he was to be around. 

I enjoyed working with Omari and I look forward to working with him again and seeing his progression in the industry.




Thursday, December 15, 2011

I AM CHAD WHITE @ Soul Artist Mgmt.



One day I was chatting with my best friend on the phone and she was going on and on about  the universe and if I want something I should put it out into the universe and I will get it. so I decided to compile a list of people i want to work with one day and i did so on facebook (see dream list). I also tagged the people and their agents to the list. After that Jason Kanner from Soul Artist management saw the list and offered to send as many of their models on the list. The first person he sent was supermodel Chad White.



I was so nervous. What do you do with a model who has photographed with all the greats? 
so i decided to customize something just for him. I googled him and I saw a runway image of him in the D-Squared show dressed in a white motorcycle jumper and ran out and got the closest thing I could afford which was a white painter's jumper from Home Depot. The whole time I was planning his shoot I was thinking "wow, i caint believe i'm finna shoot Chad White."


many of you may recognize his face from major campaigns like Dolce & Gabbana and Hugo Boss and magazine covers and editorials shot by amazing photographers like Steven Klein, Steven Miesel, and Francois Rousseau







When he arrived, he was on time ( 2pm on the dot) and he was gracious and polite. He whipped out his phone and turned it off and put it in his bag. It was the first time I noticed a model doing that. I am accustom to models walking thru the door texting and twittering and facebooking but he showed respect by putting his phone away. I know for me, I never  use my phone during a shoot so I can give the person in front of my camera  my full attention. 



We sat and chatted about modeling, his numerous photoshoot experiences with the Stevens (Miesel and Klein), our families, his dogs and motor bikes, and food (we both looooove food). In front of the camera I told him to  give me some of that "Chad White shit" - and he  just started moving like he could read my mind. I really had fun working with him and I can't wait to work with him again. Next time imma make sure to get some full length shot because  he has the best legs ever.


Special thanks to Jason Kanner for sending him to me ...... thanks!!!

ps. Chad, you left your baseball cap.... i'll hold on to it for you ;)

Friday, September 17, 2010

FASHION feat. OMAR KENNEDY @ Boss Models/ Next Miami

Omar Kennedy (photography: Tarrice Love)
painted gloves: Tarrice Love
assisted by: Shyloh Wilkerson


People always have something to say. One of the things most of them seem to say about my work is that it is artistic. Many feel it is too artistic to be considered fashion photography. I  want to know if my work is considered to artistic to be fashion, then what exactly is fashion photography and it is fashion today considered art? I decided to do a photo series that paid tribute to fashion involving body paint. Omar Kennedy of Boss Models and Next Miami caught the China bus from Boston to shoot with me. He booked a job in Boston and got the bus as soon as it was done. He arrived in Brooklyn at almost midnight.

BTS(behind-the-scenes):


I was inspired partly by the Louis Vuitton/ Stephen Sprouse "graffiti" print and the body paintings artist Keith Herring. model and friend Shyloh Wilkerson stopped by to help and finally meet her facebook friend model Omar Kennedy.



Omar Kennedy (photography: Tarrice Love)
painted gloves: Tarrice Love
assisted by: Shyloh Wilkerson



FASHION IS AN ART FORM THAT COMPLIMENTS GOD'S GREATEST CREATION... THE HUMAN FORM.

Omar Kennedy (photography: Tarrice Love)
painted gloves: Tarrice Love
assisted by: Shyloh Wilkerson

Monday, August 30, 2010

STEPHEN CHRISTOPHER for FASHIONWASTED: another fashion blogger

Stephen Christopher (Photography: Tarrice Love)

I shot fashion stylist-designer/ blogger Stephen Christopher - responsible for FASHIONWASTED. Fashionwasted is a amazingly exciting blog that covers hotshit in the fashion world. Its like a inspiration board - combining fashion imagery and music.....on  a blog.
I was introduced to Stephen Christopher and his blog through Ohio-based photographer - Photog J.  When he came to NYC to celebrate his birthday, he stopped by my studio for a session with me. Check out his blog and check out his pics.......hotness!

 
Stephen Christopher (Photography: Tarrice Love)

Stephen Christopher (Photography: Tarrice Love)

Thursday, May 13, 2010

film: RENEE THOMPSON in THE COLOR OF BEAUTY by Director Elizabeth St. Philip

Yesterday I stumbled upon this website called WORK FOR ALL: Films Against Racism In The Workplace ( http://workforall.nfb.ca )
The Colour of Beauty is a short documentary about racial discrimination in the fashion industry. Director Elizabeth St. Philip follows a young and fiercely talented Black model, Renee Thompson, as she navigates the fashion world as a visible minority.



After watching this film yesterday, I began thinking about my place in this industry as a photographer.... and then as a BLACK photographer. I am often frustrated by how slanted this industry is when it comes opportunities for models of color. I do appreciate agencies, like Major Model Mgmt. who support my vision as an artist in this industry.

I try to provide images that parallel the images successful models (who are usually white) have in their portfolios for the models of color I work with, but those images never make it to their book because the idea of treating all models equally is not ideal - models of color end up with a boring, forgettable portfolio presentation and remain in a box with limited opportunities and the white models an unfair advantage.

I think it also sucks that many photographers, stylist, fashion designers of color go all out of their way to mask their race  by working with mostly white models. Some go to the extremes of changing their name and even lying about their background so industry people will assume they are white. I am very proud of who I am and the fact that I am a black man from the south making moves in this industry. I resist the pressures to hide my race  because I want to use my influence to represent my people in this business. I am proud that my work helps this industry to see models of color the same way their white counterparts are viewed. It allows them to be on a more equal playing ground - giving the models of color a fair chance.

I grew up during the height of the supermodel craze.... with models of color like Tyra Banks, Naomi Campbell, Tyson Beckford, Jason Olive, Veronica Webb, Beverly Peele, Roshumba, Sekou Carradine,Will LeMay, Daisy Fuentez and so many more..... seeing them made me hopeful. I wanted to see more colored faces and I really believed I could contribute to this industry.

After last years, Vogue Italia "Black" issue, I attempted to put together a portrait series that celebrated the black male models in the industry called IM2: The Invisible Men Project - I never expected to receive resistance from the models and their agents - especially since I had worked with so many of them in the beginning stages of their careers. I even had an agent tell me directly that had i been a big named white photographer, he would allow his working models to be apart of the project. The models themselves were either too afraid to do it on their own or just weren't interested because they are booking some jobs. I can't do it by myself so i'm scrapping  the project....for now.

I think this film is a great way to spark real dialogue that might help open the eyes of designers, editors, and agents in this industry....
This film asks the questions: Why isn’t the multi-cultural society that we live in reflected in our magazines, on billboards and on the runways of fashion shows? And who are the parties involved in this industry’s lack of diversity? Does the answer lie somewhere in the back rooms of fashion magazines or in the offices of casting directors of fashion shows? Is it something that is discussed at advertising agencies, or between designers and modeling agencies? Whatever the answer, the fact is that models of color work less, and their chances of success are very low.

Everytime I do a post about this issue I feel people going "oh lawrd, not this again" but I will continue to use my internet presence to discuss this issues until other people within the industry step up and take a chance and catch up with the diverse world we are living in now.

And what do you think? Work For All in partnership with Schema Magazine is launching a quest for your stories about how racism affects the world of fashion. And, they are launching a live event with our other partner The Museum of Vancouver. Find out more about this contest and event at Schema Magazine.