Showing posts with label black photographer. Show all posts
Showing posts with label black photographer. Show all posts

Friday, August 3, 2012

5 THINGS BLACK MODELS SHOULD KNOW

before you read this be advised that this is my opinion based on my own personal experiences.

1. NEVER GO TO OPEN CALLS.
an open call is a specific time that the agency sets aside (generally once a week) to see new talent, who are permitted to just walk in without an appointment or prior comp card submission. This is most common for the fashion agencies in larger markets like New York and Los Angeles. If you are a black model, don't waste your time.

Getting clients to book black models is triple the effort and pays a lot less than their white counterparts. No one is looking to work hard for less so they are not looking for you. no matter how amazing you are, you look like more work for less pay. Who do you think wants to work hard for less....no one so don't waste your time.

They are  looking for easy money....if you are not white, you are not easy money.

Often time you never get to see real bookers....you are seen by interns. Its  their job to filter out the riff-raff.

I don't know of any black models who got signed to an agency by going to open calls. It is better to just email your pics. They check every email and its in front of them a lot longer than you would be  at an open call.  If they like what they see they will set up an appointment to see you in person that is not on open call day.

At the end of the day its all business. Agencies are trying to make money...white models are easier money, black models are hard work. No one wants to work hard for less.

2. LOOSEN UP. (this is for the fellas)
Black models (esp. males) are alot more stiff and controlling than their white counterparts. The white guys I have  photographed tend to be more open and  less afraid to to look silly. The black guys  tend to be more stiff and  "posey" and more focused on looking cool. Its the  reason why fashion people hate pageant girls.... there main focus is to be their idea of what pretty is and that  usually gets in the way of  creating a great image.


3. ALWAYS BE ON TIME....NEVER BE LATE.
They expect you to be late so don't live up to any negative expectation.....especially the one where black people never show up to anything on time. Being late is costing someone a lot of money, don't let your career be the price.....


4. YOU ARE THE  SPOKESPERSON FOR YOUR ENTIRE RACE.
You are representing ALL black people whether you want to or not. That means you  must be onpoint at all times. That one or two black faces in campaigns, editorials, and on runways  is the industry's way of representing Black people in their branding.  If you drop the ball by being late, having a bad attitude, not taking care of yourself, or doing anything that can be interpreted as negative, your actions will affect the client's decision to book another black model. You will never hear a client say "The last time we booked a blonde girl she was late with a difficult attitude and we just dont want to deal with that this time."

5. YOU DON'T NEED STRONG IMAGES TO GET SIGNED, YOU NEED THEM TO BOOK JOBS.
If you are trying to get signed, agencies are looking for  fresh and new faces to send to clients. you need pics that make you look fresh and new. Its kind of hard to seem "new" if you over saturate yourself  by testing with every GWC (goon with camera) who is free. The biggest mistake in this industry is to have bad pictures floating around that create a negative image  for you. If you are trying to sign with an agency, clean images with you  wearing basic clothing in natural light work best for that. These images show  agents that you are photogenic and allow them to visualize the type of clients they should send you too. After getting signed, the agents will then send you to select photographers  to create appropriate images to attract clients to help you land jobs.

If a booker says you need "stronger" images that is their nice way of saying NO! They don't see immediate money making potential with you.

The only way I would advise models to step outside of the agency to shoot with photographers not referred by their booker is when the collection of  images  in their portfolio generate no response by the client or  if your portfolio looks identical to all the other guys at the agency. Its kind of difficult to stand out in front of the client if your book looks the same as the previous models they meet with. Clients  see hundreds of models to select  the few they need for the job. You need images that set you apart from the rest and  inspire the client. Expect to pay for  top quality work because its an investment in your career.

Most models don't have an informed eye to know good imagery. When selecting a photographer to work with look at the portfolios of the models who previously booked the jobs and try to work with the same people they worked with. The client was obviously inspired by the images and maybe the formula might work for you too.


PORTRAIT: AZMARIE



Three years before appearing on Cycle 18 of America's Next Top Model, Ashley Livingston, better known as, AzMarie stepped  in front of my lens and with the collaboration of makeup artist Crystal Clark created some timeless, beautiful images. After ANTM, I got a phone call from AzMarie letting me know she would be in town to film a movie and work on her album and if i would be interested  in reuniting to shoot again. HELL YES!!!

After sitting down with AzMarie and she  informed me of her plans to concentrate  mainly on her music and acting, I decided to keep things simple and capture images that were more true to who she really is.... so she could use the images to promote her future projects.



Along with working on her upcoming album, AzMarie  has joined the cast of  gay tv drama DTLA: Downtown Los Angeles as the role of Ricki, the girlfriend to Melanie Griffith's character Kimberley.




I love the simplicity of her beauty and the complexities of her personality.....it merges well. In a sea of models who look like clones of each other with "blank canvas" personalities, AzMarie is one of the coolest  and most interesting models to have stepped in front of my camera.


Monday, May 14, 2012

I SHOT HIM, HE SHOT ME

Last summer I went home to visit my family in Memphis, TN and on my way back to New York I got stuck with a long lay-over in Atlanta. I called my  photographer friend, James K. Holder and asked if I could  crash at his place. I got a chance to see his  studio (it is amazing) and he cooked me dinner.




Since I was  there, he asked if he could shoot my portrait. I was feeling  tired and fat (i gained 11lbs during my family visit) but I didnt feel it was fair to say no since he let me shoot his portrait when he was in NY....so I said yes and we shot each other.

I SHOT HIM.....
photographer James K Holder
check out his work - http://www.jkh2.com/

James has always comfortable with his body so  I shot him nude (of course). I saw this pile of white  fabric in the corner of  his studio and decide to have him drape it over himself with his  giant fan blowing. 



HE SHOT ME....


me - Tarrice Love photographed by James K Holder


Sitting in front of someone else's camera  was very hard for  me. I never like being photographed.... I don't even have graduation pictures from high school. This was my first time  having my portrait taken  with a professional photographer. I am very happy with the results..... James did an excellent job.





Monday, September 5, 2011

ITS CHAD WHITE (aaawwww - yeah!) @ Soul Artist Mgmt.

Chad White stopped by my place this weekend......

 I have worked with alot  models who think they are the "bizness" with inflated confidence and  attitude with arrogant undertones. Chad White was definitely NOT one of those guys. He's had the career  every guy dreams to have and yet he's just a regular cool ass dude.


He arrived (on time) to my place in bedstuy Saturday afternoon. We chatted and shared  industry stories and childhood stories.... laughed  a lot and just had a great time. He made me feel like I was Steven Klien or any other big named photographer. I felt appreciated and special.  I really enjoyed him and look forward to working with him more...
He just raised the bar.

thanks Jason Kanner and the team at Soul Artist Mgmt.

Monday, August 2, 2010

PHOTOGRAPHER/ FRIEND JAMES K HOLDER for Your Face HERE: Haitian Earthquake Relief Effort

James K Holder II (Photography: Tarrice Love)

One of my close friends, Atlanta based photographer James K Holder II raised $10,000 in donations through his “Your Face HERE: Haitian Earthquake Relief Effort” project. James came up with the idea for the “Your Face HERE” project. In exchange for making donations of $50 or more to the American Red Cross or Yele Haiti, people could have him shoot their portraits.


His portraits for the “Your Face HERE” and some of his other photographic work can be viewed at www.jkh2.com. You can also read more about his project here

Saturday, July 18, 2009

MY FIRST NUDES ....

this was my first nude project i shot... i called it Genesis. It was inspired my the biblical story of the creation of man and women. The models in the project were my best friend, Dawn and Kwasi. I was bored with my fashion attempts and at the suggestion of my Dawn, I decided to try shooting an artistic nude. I thought it would be easy, especially since my models for the project were my friends but I was soooo nervous. I couldn't stop shaking. I shot Kwasi first and most of my shots were blurry and out of focus due to camera shake. He had to reshoot his shots later. Dawn was a little bit easier.

I made a collage using xerox copies of the passages of Genesis and stacked the negatives creating these amazing double exposed prints. Then I used a photo dye process to color the prints that murky red color.

In this digital everything age, I almost forgot what it's like to work with film and the value of processed film. Looking at these images brought back memories of the darkroom and the photography printing process. Many photographers emerging on the scene are dependent upon the expertise of stylist, makeup, hair dresser, technicians and most of all photoshop to make their images look good. I remember being in the darkroom for days working on these 2 images. If you handed many of today's photographers a roll of film to shoot and process they'd look at you lost and dumb-founded. I think my experience in the darkroom is a definite asset to my digital work today. I was very proud of everything i put into these images.



My Granny was so proud of the images , she took my 24x30 prints to church to show off what her grand son had done. lol