models: Isha Blaaker @ Soul Artist Mgmt
Alex Nyame` @ Red Models NYC
Working in the fashion industry has afforded me the opportunity to work with some of the most beautiful people in the world. People look at my images and think "wow, they look amazing." They do look amazing but its a combination good lighting, composition, genetics, diet and exercise and a great team of stylist, hair and makeup professionals. Unfortunately most of the time i'm not equipped with a team of stylist, makeup and hair pros, so I have to compensate with the art of retouching in photoshop.
Living in Memphis, I hardly ever had access to high fashion hairstyling, makeup, and stylist with access to designer fashions. What I did was taught myself as much as possible and make the most of what i had available to me. I watched fashion programming on cable tv, studied artist who inspired me, and read books.
When i first started photography i was a sophomore in college and I was using a 35mm Pentax K1000. I used Kodak TMax100 and 400 film. I was shooting classmates and friends. At that time my professors were anti-digital and made it difficult for any student who used a digital camera. One of my professors would automatically drop your grade one letter if to used a digital camera. I didn't get into digital photography until years after college. Soon after i was introduced to photoshop and retouching. I taught myself by reading books.
I viewed retouching like and secondary art form and treated photoshop like a digital darkroom. Most of the ledgendary photographers, like my favorites Richard Avedon and Irving Penn, used contrast levels and dodging and burning methods when printing their images. I took those methods I studied in college and transfered them to the computer.
Makeup was not only a way to "enhance" or "transform" a model's beauty but it also was a way to retouch them live. Retouching in photoshop became an alternative to having a makeup artist (since i don't have one) I leaned toward makeup art books to help me develop my own retouching technique. I read makeup artist Kevyn Aucoin's The Art of Makeup and Sam Fine's Fine Beauty books.
When i first started photography i was a sophomore in college and I was using a 35mm Pentax K1000. I used Kodak TMax100 and 400 film. I was shooting classmates and friends. At that time my professors were anti-digital and made it difficult for any student who used a digital camera. One of my professors would automatically drop your grade one letter if to used a digital camera. I didn't get into digital photography until years after college. Soon after i was introduced to photoshop and retouching. I taught myself by reading books.
these were the 2 books I turned to for anything I wanted to know about using photoshop
I viewed retouching like and secondary art form and treated photoshop like a digital darkroom. Most of the ledgendary photographers, like my favorites Richard Avedon and Irving Penn, used contrast levels and dodging and burning methods when printing their images. I took those methods I studied in college and transfered them to the computer.
photograph by Richard Avedon
The areas which Avedon has circled required either different levels of contrast in the new print, or retouching by dodging and burning.
Makeup was not only a way to "enhance" or "transform" a model's beauty but it also was a way to retouch them live. Retouching in photoshop became an alternative to having a makeup artist (since i don't have one) I leaned toward makeup art books to help me develop my own retouching technique. I read makeup artist Kevyn Aucoin's The Art of Makeup and Sam Fine's Fine Beauty books.
When I was in high school I use to airbrush on jeans and t-shirts to make money on the side. I took that knowlege and merged it with the information in the makeup books and applied it to photoshop.
model: Julier Bugge @ IMG paris
styling/hair & makeup : Tarrice Love
models: Isha Blaaker @ Soul Artist Mgmt
Alex Nyame` @ Red Models NYC
Aside from using photoshop for extreme high fashion makeup looks, I mainly use photoshop for basic, natural-looking clean-up. Most people look at my work and think it comes straight out of the camera looking that way. It took me a long time to master the "i woke up like this-look" with my retouching technique. One of the biggest compliments I've recived was from my fellow photographer Itaysha Jordan. She said the thing she like the most about my work was that the retouching made you believe that the models look like that.....It's refreshing to see a more natural looking style when everyone else is following the trend of making the models look fake and plastic.
model: Onnys Aho @ Elite Paris
styling: Tarrice Love
Because my studio space is limited , I've had to rely on composition, lighting and editing skills to help with the illusion of large space.
I've watched tutorials about retouching hoping to learn ways to improve my techniques. I have also watched other photographers retouch hoping to learn a few tricks to make my work better. Each time I apply new methods, I feel like its just making the process take longer. I already spend more time in front of photoshop editing images than I want to. My attention to details is time consuming, tedious, and labor intensive. My style of retouching isn't a bunch of filters and quick actions. I am a perfectionist and i work my ass off developing a retouching style that look consistently effortless..... and I'm still learning.
I dont think people take into consideration that I am a "one-man-show." I am the photographer, creative director, stylist, makeup, and hair person and retoucher all rolled up in one. Its difficult and time consuming. If i had a regular team on set, the time I spend retouching would be reduced by 75%. Some photographers send their work out to be retouched/ edited by professional retouchers. Retouching is a very expensive art form. Right now I can't afford to pay someone to do my retouching for me. I am not very trusting of others and I am control freak. Its really difficult to give my work to someone else and trust that they will maintain the quality that is associated with my name. (My work load is currently forcing me to work on my trust issues and let others handle it).
model: Jason Danza
styling: Tarrice Love
I've watched tutorials about retouching hoping to learn ways to improve my techniques. I have also watched other photographers retouch hoping to learn a few tricks to make my work better. Each time I apply new methods, I feel like its just making the process take longer. I already spend more time in front of photoshop editing images than I want to. My attention to details is time consuming, tedious, and labor intensive. My style of retouching isn't a bunch of filters and quick actions. I am a perfectionist and i work my ass off developing a retouching style that look consistently effortless..... and I'm still learning.
I dont think people take into consideration that I am a "one-man-show." I am the photographer, creative director, stylist, makeup, and hair person and retoucher all rolled up in one. Its difficult and time consuming. If i had a regular team on set, the time I spend retouching would be reduced by 75%. Some photographers send their work out to be retouched/ edited by professional retouchers. Retouching is a very expensive art form. Right now I can't afford to pay someone to do my retouching for me. I am not very trusting of others and I am control freak. Its really difficult to give my work to someone else and trust that they will maintain the quality that is associated with my name. (My work load is currently forcing me to work on my trust issues and let others handle it).
